Thursday, January 28, 2010

1 Plot, 3 Plot 7 Plot



1 Plot:

Attempts to find the number of basic plots in literature cannot be resolved any more tightly than to describe a single basic plot. Foster-Harris claims that all plots stem from conflict. He describes this in terms of what the main character feels: "I have an inner conflict of emotions, feelings.... What, in any case, can I do to resolve the inner problems?" (p. 30-31) This is in accord with the canonical view that the basic elements of plot revolve around a problem dealt with in sequence: "Exposition - Rising Action - Climax - Falling Action - Denouement". (Such description of plot can be found in many places, including: Holman, C. Hugh and William Harmon. A Handbook to Literature. 6th ed. New York: Macmillan Publishing Co, 1992.) Foster-Harris’ main argument is for 3 Plots (which are contained within this one), described below.

3 Plots:

Foster-Harris. The Basic Patterns of Plot. Norman: University of Oklahoma Press, 1959. Foster-Harris contends that there are three basic patterns of plot (p. 66):

  1. "’Type A, happy ending’"; Foster-Harris argues that the "Type A" pattern results when the central character (which he calls the "I-nitial" character) makes a sacrifice (a decision that seems logically "wrong") for the sake of another.
  2. "’Type B, unhappy ending’"; this pattern follows when the "I-nitial" character does what seems logically "right" and thus fails to make the needed sacrifice.
  3. "’Type C,’ the literary plot, in which, no matter whether we start from the happy or the unhappy fork, proceeding backwards we arrive inevitably at the question, where we stop to wail." This pattern requires more explanation (Foster-Harris devotes a chapter to the literary plot.) In short, the "literary plot" is one that does not hinge upon decision, but fate; in it, the critical event takes place at the beginning of the story rather than the end. What follows from that event is inevitable, often tragedy. (This in fact coincides with the classical Greek notion of tragedy, which is that such events are fated and inexorable.)

7 Plots

7 basic plots as remembered from second grade by IPL volunteer librarian Jessamyn West:

  1. [wo]man vs. nature
  2. [wo]man vs. man
  3. [wo]man vs. the environment
  4. [wo]man vs. machines/technology
  5. [wo]man vs. the supernatural
  6. [wo]man vs. self
  7. [wo]man vs. god/religion
  8. more detail
(VIA)

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