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Action (Disaster): Stories whose central struggle plays out mainly through a clash of physical forces.
Air Force One
Return of the Jedi (also Science Fiction)Speed (also a Thriller)
Titanic (also a Love story)
Adventure: Stories whose central struggle plays out mainly through encounters with new "worlds."
Get Shorty (extraordinary blend of Gangster, Love, and Crime with a twist)
Indiana Jones and the Temple of Doom (also an Action picture)
Little Big Man (Also Epic/Myth)Lawrence of Arabia
Quest For Fire
Comedy: Stories whose central struggle causes hilarious results.
Ace Ventura, Pet Detective (also Adventure - the name gives it away)
Honey, I Shrunk the Kids (also Fantasy)
My Best Friend's Wedding
Nine to Five
Shakespeare in Love
The Spy Who Shagged Me
When Harry Met Sally
Working Girl (also Love Story)
Coming-of-Age Drama: Stories whose central struggle is about the hero finding his or her place in the world.
The Breakfast Club
The Last Picture Show
The Lion King
My Brilliant Career
The Paper Chase
Pretty In Pink
Rebel Without a Cause
Saturday Night Fever
Shakespeare in Love (also Romantic Comedy)Splendor in the Grass
Top Gun (also Action)The Water Boy (also Comedy)
Crime: Stories whose central struggle is about catching a criminal.
Ghost (also Love and Thriller)
Pulp Fiction (Also Black Comedy, Bends the Genre a lot))The Sting
Detective Story/Courtroom Drama: Stories whose central struggle is to find out what really happened and thus to expose the truth.
Death and the Maiden
A Few Good Men
The General's Daughter
Inherit the Wind
The Maltese Falcon
A Time to Kill
Epic/Myth: Stories whose central struggle plays out in the midst of a clash of great forces or in the sweep of great historical change.
The Birth of a Nation
Bridge on the River Kwai
Butch Cassidy and the Sundance Kid
Gone With the Wind
The Grapes of Wrath
Lawrence of Arabia (also Adventure)
The Ten Commandments
Fantasy: Stories which are animated, or whose central struggle plays out in two worlds - the "real" world and an imaginary world.
A Connecticut Yankee in King Arthur's Court
Alice in Wonderland
Heaven Can Wait
The Wizard of Oz
Who Killed Roger Rabbit?
Gangster: Stories whose central struggle is between a criminal and society. A cautionary tale, rooted in a main character who commits crimes (This genre is often blended with Film Noir).
Bonnie and Clyde
Butch Cassidy and the Sundance Kid
Dead Man Walking
The Godfather (also Epic/Myth)
La Femme Nikita
Out of Sight (also Love Story)Sling Blade
The Usual Suspects
Horror: Stories whose central struggle focuses on escaping from and eventually defeating a Monster (either human or non-human).
The Blair Witch Project
Friday the Thirteenth
I Know What You Did Last Summer
Nightmare on Elm Street
Love (Romance): Stories whose central struggle is between two people who each want to win or keep the love of the other.
As Good As It Gets
Casablanca (also Epic/Myth)Ghost
It Happened One Night
Mickey Blue Eyes
The Way We Were
Science Fiction: Stories whose central struggle is generated from the technology and tools of a scientifically imaginable world.
2001 A Space Odyssey
Back to the Future
Blade Runner (also Crime)ET: The Extra Terrestrial
The Fifth Element
The Sixth Sense
Star Wars (and all the sequels or prequels)
Social Drama: Stories whose central struggle is between a Champion and a problem or injustice in society. Usually the Champion has a personal stake in the outcome of the struggle.
A Civil Action
Dead Man Walking
Grapes of Wrath
Kramer Vs Kramer
Philadelphia (also Courtroom Drama)Schindler's List
To Kill a Mockingbird
Thriller: Stories whose central struggle pits an innocent hero against a lethal enemy who is out to kill him or her.
No Way Out
North by Northwest (also Love Story)Sleeping With the Enemy
Night of the Hunter
Three Days of the Condor
Wait Until Dark
Witness (also Love Story)
(represented by icons)
|Action films usually include high energy, big-budget physical stunts and chases, possibly with rescues, battles, fights, escapes, destructive crises (floods, explosions, natural disasters, fires, etc.), non-stop motion, spectacular rhythm and pacing, and adventurous, often two-dimensional 'good-guy' heroes (or recently, heroines) battling 'bad guys' - all designed for pure audience escapism. Includes the James Bond 'fantasy' spy/espionage series, martial arts films, and so-called 'blaxploitation' films. A major sub-genre is the disaster film. See also Greatest Disaster and Crowd Film Scenes and Greatest Classic Chase Scenes in Films.|
|Adventure films are usually exciting stories, with new experiences or exotic locales, very similar to or often paired with the actionfilm genre. They can include traditional swashbucklers, serialized films, and historical spectacles (similar to the epics film genre), searches or expeditions for lost continents, "jungle" and "desert" epics, treasure hunts, disaster films, or searches for the unknown.|
|Comedies are light-hearted plots consistently and deliberately designed to amuse and provoke laughter (with one-liners, jokes, etc.) by exaggerating the situation, the language, action, relationships and characters. This section describes various forms of comedy through cinematic history, including slapstick, screwball, spoofs and parodies, romantic comedies, black comedy (dark satirical comedy), and more. See this site's Funniest Film Moments and Scenes collection - illustrated, and also Premiere Magazine's50 Greatest Comedies of All Time.|
|Crime (gangster) films are developed around the sinister actions of criminals or mobsters, particularly bankrobbers, underworld figures, or ruthless hoodlums who operate outside the law, stealing and murdering their way through life. Criminal and gangster films are often categorized as film noir or detective-mystery films - because of underlying similarities between these cinematic forms. This category includes a description of various 'serial killer' films.|
|Dramas are serious, plot-driven presentations, portraying realistic characters, settings, life situations, and stories involving intense character development and interaction. Usually, they are not focused on special-effects, comedy, or action, Dramatic films are probably the largest film genre, with many subsets. See also melodramas, epics (historical dramas), or romantic genres. Dramatic biographical films (or "biopics") are a major sub-genre, as are 'adult' films (with mature subject content).|
|Epics include costume dramas, historical dramas, war films, medieval romps, or 'period pictures' that often cover a large expanse of time set against a vast, panoramic backdrop. Epics often share elements of the elaborate adventure films genre. Epics take an historical or imagined event, mythic, legendary, or heroic figure, and add an extravagant setting and lavish costumes, accompanied by grandeur and spectacle, dramatic scope, high production values, and a sweeping musical score. Epics are often a more spectacular, lavish version of a biopic film. Some 'sword and sandal' films (Biblical epics or films occuring during antiquity) qualify as a sub-genre.|
|Horror films are designed to frighten and to invoke our hidden worst fears, often in a terrifying, shocking finale, while captivating and entertaining us at the same time in a cathartic experience. Horror films feature a wide range of styles, from the earliest silent Nosferatu classic, to today's CGI monsters and deranged humans. They are often combined with science fiction when the menace or monster is related to a corruption of technology, or when Earth is threatened by aliens. The fantasy and supernatural film genres are not usually synonymous with the horror genre. There are many sub-genres of horror: slasher, teen terror, serial killers, satanic, Dracula, Frankenstein, etc. See this site's Scariest Film Moments and Scenes collection - illustrated.|
|Musical/dance films are cinematic forms that emphasize full-scale scores or song and dance routines in a significant way (usually with a musical or dance performance integrated as part of the film narrative), or they are films that are centered on combinations of music, dance, song or choreography. Major subgenres include the musical comedy or the concert film. See this site'sGreatest Musical Song/Dance Movie Moments and Scenes collection - illustrated.|
|Sci-fi films are often quasi-scientific, visionary and imaginative - complete with heroes, aliens, distant planets, impossible quests, improbable settings, fantastic places, great dark and shadowy villains, futuristic technology, unknown and unknowable forces, and extraordinary monsters ('things or creatures from space'), either created by mad scientists or by nuclear havoc. They are sometimes an offshoot of fantasy films, or they share some similarities with action/adventure films. Science fiction often expresses the potential of technology to destroy humankind and easily overlaps with horror films, particularly when technology or alien life forms become malevolent, as in the "Atomic Age" of sci-fi films in the 1950s.|
|War (and anti-war) films acknowledge the horror and heartbreak of war, letting the actual combat fighting (against nations or humankind) on land, sea, or in the air provide the primary plot or background for the action of the film. War films are often paired with other genres, such as action, adventure, drama, romance, comedy (black), suspense, and even epics and westerns, and they often take a denunciatory approach toward warfare. They may include POW tales, stories of military operations, and training. See this site's Greatest War Movies (in multiple parts).|
|Westerns are the major defining genre of the American film industry - a eulogy to the early days of the expansive American frontier. They are one of the oldest, most enduring genres with very recognizable plots, elements, and characters (six-guns, horses, dusty towns and trails, cowboys, Indians, etc.). Over time, westerns have been re-defined, re-invented and expanded, dismissed, re-discovered, and spoofed.|
|Films by genre|